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Do you know the 6 most effective ways to reach non-union workers?
Promoting Your Union is a book to help union organizers get more organizing leads, create outreach plans to bring in new members and build the power of their unions. Union organizing isn't about signing cards - it's about empowering people and changing lives. It's about building power and improving conditions for working people as a whole. We can't do this reaching 30 people at a time - shop by shop. We need to create plans to reach thousands of workers. Despite restrictive labour laws, there are unions organizing successfully and growing. If we use look at what they are doing differently, we can find ways to organize in spite of the challenges. The ideas in this book aren't based on what might work - or abstract models of trade unionism - but actual best practices from union organizers who are using these tactics in the field.For free training videos on four of the best ideas from this book visit PromotingYourUnion.comHere's what you'll find inside: Chapter 1: Setting Organizing Targets that Encourage Growth Chapter 1 looks at how to set targets in your outreach plan so that your organizing wins build on each other. It will show you the 5 criteria to consider when creating a targeting strategy.Chapter 2: Communicating the Union Advantage Chapter 2 sets out how to create a core outreach message for non-union workers and how to talk with the type of person likely to contact a union.Chapter 3: Measuring Your Outreach Efforts Chapter 3 examines how to measure and track your outreach efforts to find out what is working and find areas where you have opportunities for growth.Chapter 4: Creating an Online Lead Generating Machine More non-union workers view your union's join page than read your leaflets or speak to your organizers. Union organizers need to fundamentally change how they use the Internet. Chapter 4 shows how to create an organizing website that is effective at generating leads.Chapter 5: The Agitation / Education Campaign Agitation/education campaigns are long-term campaigns that will help you keep in touch with workers at strategic targets without leaving burnt turf from failed drives.Chapter 6: The 10,000 Prospect Strategy The 10,000 prospect strategy is a campaign to build up a large contact database of non-union workers in your sector, build a relationship with these workers and then turn the contacts into organizing leads.Chapter 7: Using Facebook for Union Organizing While many unions have experimented using social media, most haven't succeeded in getting the number of leads they would like. Chapter 7 looks at how to use Facebook to help get organizing leads for your union.Chapter 8: Reaching Workers Before They Enter the Workforce By investing early we can build a relationship with workers in our industry before they enter the workforce.Chapter 9: Getting Organizing Leads from Members Engaging members in organizing and building a culture of organizing are critical to building union density. Chapter 9 covers your organizing department's biggest asset - your union's members.

• Sales Rank: #1104074 in Books
• Published on: 2012-01-03
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .31" w x 6.00" l, .42 pounds
• Binding: Paperback
• 122 pages

About the Author
Jason Mann is the author of three books on the labour movement and economics. He has helped many unions set up their organizing and social media programs including locals of SEIU, Unite-Here, UFCW, IBEW, IAM, CAW and SMWIA. His New Media Bootcamp for Union Activists was the largest simultaneous online union educational ever. To get free training videos on four of the best ideas from his book "Promoting Your Union" visit http://www.PromotingYourUnion.com

Most helpful customer reviews

4 of 4 people found the following review helpful.
JOIN US!!!
By Diane Ersbo
I'm a rank-and-file union member and always looking for ways to encourage others to take the first step to improving their lives. I found easy to understand organizing information using today's technology. I especially liked the information on the use of facebook. I have recommended this book to many friends and will continue to recommend it.

3 of 3 people found the following review helpful.
Add This One To Your Labor Library
By VFXfan
Promoting Your Union is a well thought out and practical guide on how to generate more leads for your union. Relying on his experience as a union organizer, labor activist and new media guru Jason Mann compiled his thoughts in a readable and implementable way.

This is an instructional book; heavily bullet pointed without any fluff. Mann's writing style is like that of the great Tom Peters, without the signature exclamation points. There are no photos or illustrations, experts quoted, references sited, empirical data, or background information provided about the author, just a straight forward do these things and you will succeed. At less than 20,000 words, you can easily finish this book on a long plane flight. Here the author has given organizers and union leaders the essentials to easily move the proverbial puck forward.

Some of my favorite points are the importance of effective targeting, communicating emotion, improving your union's website, creating a pull campaign, building a contact database, creating "I work at" Facebook pages (I did this), connecting with future workers, repeat referrals, gathering testimonials, creating videos for YouTube, and checking websites rating former employers. Other ideas would require research and detailed knowledge of HTML code, such as split testing campaign websites and tracking conversion rates using Google Analytics.

Overall this is an easy read with plenty of great ideas organizers can implement right away. I recommend purchasing a copy for yourself and each member of your staff.

2 of 2 people found the following review helpful.
Add more fuel to your fire with Mann's guidebook - Maura B. Lane, Ireland
By Barbara Lane
This essential guide gives activists and organizers knowledge that staid unions don't train you to do, a practical no-nonsense and no-frills handbook to organizing your union in the 21st Century.

It's a hands-on guide for the novice or experienced representative whether you want to find out more about online joining, organizing leads or an agitation campaign and particularly in the virtual world saving money and time and based on the writer's own experience. It also encourages exercises such as running websites using Google website optimiser analytics, why a Facebook page is better than a Facebook and exercises and links to videos web links to get you up and running.

It really resonates with me to read the mistakes that campaigns had been doing in the book and I have spotted some of my own from Mann's writing. However he has a very breezy and lively style of writing that is pretty succinct and gets to the point. The comparisons that he makes are easy to follow such as cold leafleting is like going to a singles bar and asking everyone to marry you, or for analyzing organizing leads, why do hockey teams monitor the shots rather than the goals?

The trade unions particularly in Ireland have a lot of work to earn people's faith in them and to get new members to organize. The race to the bottom with the recession has really hit workers with all the cuts to pay and conditions. This along with JP Early 'Bullying and stress in the workplace - a guide' (for Irish activists in terms of law) makes essential reading for members and activists and a good one to keep on your bookshelf for reference and guidance. Mann's guidebook will help you succeed where old methods have failed.

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[T149.Ebook] Ebook Free Malasuerte en Tijuana (Spanish Edition), by Hilario Pena

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Malasuerte es dueno de un gallo de pelea desnutrido, unas cuantas cintas de musica nortena, un encendedor, una grabadora descompuesta, una baraja espanola completa, otra francesa incompleta, una camisa de seda, un gato hidraulico y un juego de llaves y dados que supuestamente le habia regalado un tio suyo. Su sobrenombre se debe a que su cabello es de color rojo, mientras que su voz, la cual le sirve para presumir a los cuatro vientos que es #feo pero de buen cuerpo#, suena como si trajera grava atorada en la garganta#. En este libro atestiguaremos como Malasuerte huye de su pueblo ubicado en la sierra de Sinaloa, luego de un violento altercado con la mafia local, hacia Tijuana, donde comenzara a forjar su reputacion como el mejor detective privado de la ciudad. Malasuerte en Tijuana es una estupenda novela sobre una realidad cruda, brutal y desesperanzadora: la frontera norte de Mexico. Hilario Pena es un escritor impactante.

• Sales Rank: #3947208 in Books
• Brand: Pena, Hilario
• Published on: 2010-08-01
• Original language: Spanish
• Number of items: 1
• Dimensions: 7.50" h x 5.00" w x .75" l, .48 pounds
• Binding: Paperback
• 264 pages

About the Author
Hilario Pena (Mazatlan, Sinaloa, 1979) vive con su esposa y su hija en Tijuana, donde labora como capataz en una maquiladora de capital asiatico. Es autor de las novelas El infierno puede esperar y Los dias de Rubi Chacon

Most helpful customer reviews

1 of 1 people found the following review helpful.
Bad Luck in Tijuana!
By Bruce Critchley
The title reads "bad luck in Tijuana." but Tomás, the lead character's nick-name in his Sinaloa home town is Bad Luck. When his career plan to join the local mafia by demanding the hand of the local godfather's daughter goes terribly awry, he high-tails it out of town, ending up in Tijuana. A fish out of water in the big city, Tomás drifts into the private detective business, solving some sordid crimes, and develops the beginnings of a personal life, but ultimately has to deal with a murderous gang of Sinaloans bent on revenge for his earlier misdeeds. A colorful portrait of a bright young man in a complex world. This is the second time I've read it.

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PERMISSION TO PROCEED —Only you can give yourself permission to take the first step toward a life of passion, purpose and possibility. In his debut book, Master Certified Coach, MCC, David Giwerc, president and founder of the ADD Coach Academy, shows readers how to understand, embrace and successfully manage ADHD. David’s unique and easy-to-follow approach helps readers pull back the curtain of ignorance that surrounds ADHD, illuminating a clear path forward.

Permission to Proceed: Creating a Life of Passion, Purpose and Possibility for Adults with ADHD details David’s proven method for regaining control of one’s life at home, at work and in the community. Through inspiring stories from his own life —David was diagnosed with ADHD at age 38 — and practical tools created over years of research and education, David shows readers how to:

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With hands-on exercises and visual models, this book is a must-read for people with ADHD and those who support them — friends, family, partners, co-workers and coaches. Give yourself permission to proceed toward a better life today!

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“Reading this book is like having a master teacher right in the palm of your hand! Adults with ADHD will be inspired to dream once again as David expertly guides them toward creating the meaningful and fulfilling lives they deeply desire.”

—Sari Solden, MS, LMFT
Author of Women with Attention Deficit Disorder and
Journeys through ADDulthood

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“In Permission to Proceed, David has provided the ADHD community an opportunity to learn from the master. He teaches the art of compensating for challenges by cultivating the best of what lies inside each individual. That is no easy task. Adults with ADHD have deep-seeded emotional wounds that often leave them feeling inadequate. David touches on each facet of these wounds, encouraging, coaching and cheering his readers to become the optimal version of themselves.”

—Wilma Fellman, M.Ed., LPC

• Sales Rank: #540498 in eBooks
• Published on: 2011-08-10
• Released on: 2011-08-10
• Format: Kindle eBook

Most helpful customer reviews

17 of 22 people found the following review helpful.
Disappointed
By MLSOUT
I am an adult with ADHD. I was really hopeful about this book, but greatly disappointed. I could not relate to his examples, he writes too much about himself and his experiences. As a coach, he seems to forget that the people reading this book are looking for helpful techniques, don't include too much information that most ADHD people already know or that feeds into their deficits. I personally don't want to read about other people, EDIT, just give me the "if you struggle with this... Try this." There is a lot of good information in this book, but it seems that a family member or partner of someone with ADHD would find it more useful. I will follow his advice and sift through the book to find what interest me or will be helpful. It's just too bad that someone who understands ADHD would publish a book in the same style that frustrates ADHD people... Ironic.

11 of 15 people found the following review helpful.
A must read for anyone with ADHD
By Kindle Customer
David Giwerc does an excellent job at identifying the many challanges of Adult ADHD and offers productive solutions to living with those challanges. Permission to Proceed is very insitful and easy to read.I would recomend this book for anyone interested in learning more about adult ADHD.

7 of 10 people found the following review helpful.
Empowering, strength-based approach to ADHD.
By Anna Maria Lindell
In Permission to Proceed, David Giwerc offers precious and generous insights into the strengths and challenges related to adult ADHD. As one of the co-founders of the ADHD-coaching-field and the founder of ADD Coach Academy, his knowledge and experience are of great value to those of us who want to gain a better understanding and awareness of ADHD. I highly recommend this book!

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This is a groundbreaking examination of one of the most important artists in the Western tradition by one of the leading art historians and critics of the past half-century. In his first extended consideration of the Italian Baroque painter Michelangelo Merisi da Caravaggio (1573-1610), Michael Fried offers a transformative account of the artist's revolutionary achievement. Based on the A. W. Mellon Lectures in the Fine Arts delivered at the National Gallery of Art, The Moment of Caravaggio displays Fried's unique combination of interpretive brilliance, historical seriousness, and theoretical sophistication, providing sustained and unexpected readings of a wide range of major works, from the early Boy Bitten by a Lizard to the late Martyrdom of Saint Ursula. And with close to 200 color images, The Moment of Caravaggio is as richly illustrated as it is closely argued. The result is an electrifying new perspective on a crucial episode in the history of European painting.

Focusing on the emergence of the full-blown "gallery picture" in Rome during the last decade of the sixteenth century and the first decades of the seventeenth, Fried draws forth an expansive argument, one that leads to a radically revisionist account of Caravaggio's relation to the self-portrait; of the role of extreme violence in his art, as epitomized by scenes of decapitation; and of the deep structure of his epoch-defining realism. Fried also gives considerable attention to the art of Caravaggio's great rival, Annibale Carracci, as well as to the work of Caravaggio's followers, including Orazio and Artemisia Gentileschi, Bartolomeo Manfredi, and Valentin de Boulogne.

• Sales Rank: #1233387 in Books
• Brand: Brand: Princeton University Press
• Published on: 2010-08-17
• Original language: English
• Number of items: 1
• Dimensions: 11.22" h x 1.32" w x 8.60" l, 3.88 pounds
• Binding: Hardcover
• 328 pages

Features

• Used Book in Good Condition

From Publishers Weekly
This extravagantly produced, scholarly study of Caravaggio's art is based on six lectures given at the National Gallery of Art. Fried is rather like an extreme docent: this is no casual stroll. A professor of humanities and art history at Johns Hopkins, he winds through Caravaggio's oeuvre and several related themes: the use of mirrors and reflection; moments of extreme concentration and absorption; and events in and around the edges of the work. Fried pulls his thread taut, starting with the self-portrait--often just a torso or head--painted in front of a mirror and ending with the sword, made of reflective metal, that beheads John the Baptist. Caravaggio's works share the page with those of Dolci, Gentileschi, Manet, Courbet, and other artists, providing a place to continue looking, as Fried asks: "which way does a painting face?" In his response, Fried dares his reader to look into these paintings and see a reflection of what exists outside the frame. 194 color illus., 9 half-tones.
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Review
One of Choice's Outstanding Academic Titles for 2011
Winner of the 2010 PROSE Award in in Art History & Criticism, Association of American Publishers
A ARTFORUM T. J. Clark Best Book of the Year for 2010

"[B]ased on the A. W. Mellon Lectures in Fine Arts that Mr. Fried delivered in Washington in 2004, is a knotty, episodic, infinitely erudite investigation of, among other things, the pervasiveness of violence in Caravaggio's painting."--Holland Cotter, New York Times

"Fried is a persistent spectator, and his careful eye produces remarkable analysis that make for a thrilling read. . . . [H]is process of looking should be an inspiration to students of art history at many levels, and his observations about how viewers respond to paintings are thought-provoking. Finally, the extensive and outstanding illustrations in this handsome book are a perfect complement to Fried's interpretations."--Choice

"In this exquisitely illustrated volume, art historian Michael Fried binds Michelangelo Caravaggio's short life (1571-1610) and tumultuous times to the stirring innovations in his art, especially with regard to portraiture, violence and realism. With a little help from the master, Fried encapsulates Caravaggio's tempestuous personality, his place within the religious and political intrigues of the Baroque era, and his primary significance as an artist."--Globe & Mail

"No great surprise about my book of the year. I had been waiting for Michael Fried's The Moment of Caravaggio (Princeton University Press) ever since hearing an early version of its opening ideas in Berkeley years ago, and when the volume arrived it took me by storm. So The Moment of Caravaggio stands or falls, as art history mostly should, by the intensity and detail of its accounts of specific works: by its ability to extract a painting from the ordinary round of 'formal analysis,' iconography, and 'contextualization' and put the reader/viewer almost physically in a new kind of contact with it. This happens repeatedly in Fried's new study. The book's key analyses are beautiful and, pace the critics, often profoundly surprising. I found that as the book went on they more and more offered me a way--this is regularly the case with the arc of a Fried argument--to think about questions the author himself did not quite pose, or did not pose as I might want to. . . . In a manner typical of the writer at his best (and maybe this is what so gets up the nose of normal art history about him) his book has robbed me of the common-sensical ground on which and from which I thought I could see--could 'place'--a major artist. It made me aware of what Caravaggio's excessiveness might have been about. And it reminded me of the sheer strangeness--the preposterousness--of European painting's commitment to the real."--T. J. Clark, ArtForum

"So much has been written about the High Renaissance artist Caravaggio, it is hard to believe more could be said. But the illustrious Michael Fried, of Johns Hopkins University, manages to say considerably more in his trenchant re-examination of the dynamic painter's art. . . . Fried astounds the reader with thoughts about Caravaggio's use of the mirror in art, his fascination with the 'immersive' or 'specular' moment. . . . The book is lavishly illustrated and intellectually demanding, but given the greatness of the subject and the perspicacity of the author, both are certainly to be expected."--Tracey O'Shaughnessy, Republican-American

"Specifically, Fried's concern is with the 'coming into prominence of the autonomous and independent gallery picture in the Roman art world of the 1590s and early 1600s and the internal mechanisms by which such pictures seek 'crucially to establish the supreme fiction of ontological illusion that the beholder does not exist, that there is no one standing before the canvas'. In this context, Fried's study argues across radically different artistic periods . . . the better to construct an argument that is as big as it is granular."--Angus Trumble, TLS

From the Back Cover

"Seldom does one encounter a profoundly surprising yet rigorously historical reading of a very familiar work; in The Moment of Caravaggio this happens with painting after painting. Though an account primarily of Caravaggio and his circle, Fried's discussions of address, of autonomy, of interiority, and of the dispositif of easel painting, among other topics, will resonate across the field. Every scholar of early modern art should read this book."--Michael W. Cole, Columbia University

"No one sees paintings better than Michael Fried, or thinks as persistently or with such philosophical depth about such seeing, about the very possibility of pictorial meaning. The Moment of Caravaggio is a spectacular, compelling addition to his oeuvre. An engrossing and often simply thrilling read, the book is a triumph."--Robert B. Pippin, University of Chicago

"This is a dazzling tour de force. Michael Fried's readings of a series of Caravaggio's most fascinating and enigmatic pictures keep one turning the pages with the greatest pleasure. Fried's arguments are compelling, muscular, and graceful."--Leonard Barkan, Princeton University

Most helpful customer reviews

32 of 34 people found the following review helpful.
The text's the thing; the images are accessories
By J. Faulk
Of the 201 reproductions (mostly color), 134 are by OTHER artists, and only 67 are by Caravaggio (including repeats and details) and reference only 39 of his paintings. Fried's lectures concentrate on 25 of these 39. (Sebastian Schutze's catalogue raisonne, The Complete Works of Caravaggio, 2009, comprises 67 paintings.) Fried chooses to discuss only Caravaggio's portable gallery or easel paintings and excludes works installed in churches.

Though the present volume measures 8 in. W x 11 in. H, the reproductions are about 8 in. H x 6 in. W, 5 in. x 6 in., 3 in. x 4 in., and smaller. Color accuracy is fine. These items comprise the slides in Fried's six Andrew W. Mellon Lectures at the National Gallery of Art in 2002. In the book, Fried preserves his lecture format, but he embellished the originals (and much expanded lectures 4 and 5) during manuscript preparation in 2007-2008.

LECTURES

(1) Boy Bitten by a Lizard [ca. 1595-96, National Gallery, London]. One of the most discussed canvases of the master. Usually considered to be Caravaggio himself. A "mirror" painting in which the hands and arms are deftly deprived of the brush and palette. Mirror self-portraits of many other artists are examined, up to Max Liebermann (1930).

(2) Immersion and Specularity. The self-portraitist engages in an ongoing, repetitive, partly automatistic act of painting--that is, immersion. Then he recoils, becomes detached from it, sees the image-artifact--thus, the experience of specularity.

(3) Invention of Absorption. In French paintings from the mid-eighteenth century on, there is the problematic of absorption--the depiction of figures so deeply engrossed in what they are doing, feeling, and thinking that they seem wholly unaware of anything else, including the presence of the viewer before the painting. Absorption fast became a major resource for Western painting in certain works by Caravaggio.

(4) Skepticism, Shakespeare, Address, Density. Caravaggio's canvases are fraught with new significance--psychological, epistemological, ontological--that bear an intimate and complex relation to the stakes of Shakespearean tragedy, underpinned by skepticism. "Absorption" in the 1590s-1600s was accompanied by an antithetical or polar emphasis on "address," the depiction of figures not only facing the viewer but seemingly confronting him with great force and specificity. As early as 1596-1597, Caravaggio's "The Rest on the Flight into Egypt" shows the artist's ability to confer on a gallery painting only about 4 feet high x 5 feet wide a "density" of depicted and implied relationships.

(5) Severed Representations. The repulsing or "severing" of the beholder from the painted image implies a very particular relationship, often associated with death-dealing violence as sublimated in Caravaggio's "Narcissus" or explicit in "Judith and Holofernes." Fried discusses the artists of the Carracci family, including the use of ellipsis, which cuts out the pictorial artifact from its surroundings by occluding some figures, as by the straight edge of the canvas. Fried also turns his attention to Orazio Gentileschi and his daughter Artemisia, and some artists classed together as Caravaggisti.

(6) Internal Structure of the Pictorial Act. As exemplified in The Calling... and The Martyrdom of Saint Matthew, The Taking of Christ, The Beheading of Saint John the Baptist, The Martyrdom of Saint Ursula.

In his Introduction and his Conclusion, Fried says he can hardly compress the subject matter of this book: Read on. I found the text manageable by eye, but maybe rather complex for the ears of the lecture audience.

A poet himself, Michael Fried, Ph.D., ends the book with a lengthy anecdote about Paul Celan, Georg Buchner, J. M. R. Lenz, and J. F. Oberlin. Just so he can say that Caravaggio, with his antagonism toward idealism and the puppets of mannerism, was prompted to go beyond what is human, into a realm which is turned toward the human, but uncanny, as done with greatest lucidity in The Martyrdom of Saint Ursula.

AUTHOR

Born 1939 in New York City, Michael Fried is a wide-ranging art historian, critic, and theorist with extensive writing credits. But controversial, as evidenced by Amazon reviews of his previous books. His trilogy--Absorption and Theatricality (1980), Courbet's Realism (1990), Manet's Modernism (1996)--influence the present Caravaggio book.

READERS

Many of us are immediately gripped by the obvious: the artist's chiaroscuro, decapitations, sexual orientation, troublesome temper, tragic death. But Fried takes us well beyond such, into the dozens of perceptions that the paintings yield up (such as small distorted reflections of the artist's face in a glass object or polished armor, or the subtle clues in the darkened milieu of The Calling of Saint Matthew). And be reminded: Over the centuries, some of these paintings have undergone multiple repairs or cleanings, possibly sometimes not to best effect; for example, in the eighteenth century some were varnished, resulting in a yellowing. Surprises await you.

10 of 11 people found the following review helpful.
Better for the Lecture Hall than for the art lover's library
By Grady Harp
That Michael Fried is a learned scholar is well known and probably understated. His lectures here for the National Art Gallery are rich in intellectual research and challenge for discovering the motivations and comparisons of the work of Caravaggio. And while there is much to be learned form this hefty book, the information seems a bit heavy for the reader who wants to further explore the genius of the great Italian painter. The portions that approach Caravaggio's enhancement of the concept of the self portrait is fascinating as is his drawn out study of the artist's 'obsession ' with violence.

The problem with the book is that in the end it feels less about Caravaggio than about the period in which he painted and the influences that both preceded and proceeded painter - even to the amount of visual space allotted to the works of Caravaggio. The quality of the book is excellent in design and in production and no one will argue that the information within the covers is instructive. For those who are already committed admirers of the artist and are looking for fresh information about this controversial artist, this book will probably seem too heavily weighted in academic glossolalia. But for the university or art school library this is a worth addition. Grady Harp, December 10

5 of 5 people found the following review helpful.
Caravaggio
By toronto
This is obviously a book for the academic scholar working on Caravaggio, not for someone who wants a standard biography or even a straightforward critical appraisal. It is essentially the fourth in a series that Fried has been working on for many years on the question of the relationship between the viewer and the work of art (and of course the artist). Fried is famous for the concept of "theatricality" : the demand that a work (and/or its content) have a viewer or audience present. This is compared to what we could call "overhearing" or "absorption" where we are not so much spectators, as drawn in and involved -- the painting and its subjects are autonomous in a sense. (A good example of this would be one of Georges de La Tour's Mary Magdalene pictures, where she stares at a candle or a skull, pondering her sins. We are asked to consider the mystery of her being. These kinds of paintings derive from Caravaggio's own early Magdalene). Caravaggio plays back and forth with theatricality and absorption: his characters stare out at us, challenging or seducing us: or they don't; and sometimes they do or don't do both in one painting. This is all in aid of raising fundamental questions about the arrival of the modern self in the early 17th century and its depiction.

While (contrary to other reviewers) I believe the book is clearly and well written, there are parts of it that are truly wearying. The initial chapters on whether or not self-portraits disguise the brush or the easel or whatever are just not very interesting. He is making some crucial point that is important to him as a basis for some argument that never gets clearly stated to the rest of us lesser mortals. Fried also tends to slay dragons that only one or two other art critics can possibly be interested in. One wonders how many people came back for the subsequent lectures......The book picks up as it goes along: the later chapters are full of insights. The best thing about the book by far (and well worth the effort) is the fact that Fried is one of the best readers of a painting there is: the book is an education in how to pay careful attention to the smallest details of a great master's work.

It is coming clearer as time passes that Caravaggio is in the same exalted category as Rembrandt and Poussin: a revolutionary artist with immense influence. Anything about him is worth the trouble.

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[G650.Ebook] PDF Download The Manufacturing of a President: The CIA's Insertion of Barack H. Obama, Jr. into the White House, by Wayne Madsen

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The Manufacturing of a President: The CIA's Insertion of Barack H. Obama, Jr. into the White House, by Wayne Madsen

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The CIA's Insertion of Barack H. Obama, Jr. into the White House This book covers Barack H. Obama, Jr's rapid rise in American politics and the role that the CIA played in propelling him into the White House. Research is based on formerly classified CIA and State Department files, personal interviews, and international investigations. Obama's birth certificate has never been the issue. The real issue, which affects his eligibility to serve as President of the United States, is his past and likely current Indonesian citizenship. The reader will be taken through the labyrinth of covert CIA operations in Africa, Southeast Asia, South Asia, and other regions. The real history of President Obama, his family, and the CIA quickly emerges as the reader wades into the murky waters of America's covert foreign operations.

• Sales Rank: #521052 in Books
• Published on: 2012-07-17
• Original language: English
• Number of items: 1
• Dimensions: 9.21" h x .90" w x 6.14" l,
• Binding: Paperback
• 396 pages

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34 of 35 people found the following review helpful.
An Eye Opener of the Sudden-Severe-Abrupt Rise of Obama in the Political Arena
By Amazon User
I always doubted the speed of light by which Obama was risen to the highest echelons of the US politics... Always wondered where this immunity against any type of criticism comes from...Wayne Madsen had shed light on the role of the CIA in making their man rise to the highest position in the Government (president of the US). The book discusses logically the choice of his Mother to marry, in a very short period of time, two completely different foreign men having only one thing in common between them, which is their roles in their countries as CIA agents in the pinnacle of the US-Soviet Union grab of power in Africa (Kenya where Hussein Obama Senior came from) and Asia (Indonesia where Lieutenant Colonel Lolo Soetero, Obama's stepfather came from). The book makes sense about the vague picture of Obama's career and University records which was sketchy and full of illogical bounces between reputable job in New York to community organization in the most notorious South Chicago gang infested area... It is almost impossible to obtain evidence about the most powerful person in the US (a President) from the most powerful clandestine system in the country (CIA)...So whoever criticizes the book of not having enough evidence is really living in the "lala" land not the real world...Good job and excellent research from Wayne Madsen and it is a must read book for the inquisitive minds who seek reality and want to gain their sanity about what is happening in the US presidency....

20 of 21 people found the following review helpful.
Connect-the-Dots Indictment of an Indictable President
By H. Campbell
I am a liberal, progressive pinko sympathizer. I also despise Barack Obama as a neo-con wolf in liberal sheep's clothing. Despite what the Fox network white trailer trash crowd thinks, Obama is as reactionary an imperialist and capitalist as Dumbya Bush ever was. But the fact he is half black (more to the point, that he LOOKS black) makes him the perfect foil for the plutocracy that controls the CIA to manipulate the gullible American public. Madsen tries to make the case that "Barry" Obama has been a CIA operative for a long time. Conceptually I find this thesis not only plausible but it goes a long way to explain why his foreign and domestic policies are so contrary to every liberal ideal he supposedly espouses. In fact, he not only does not believe in liberalism, Marxism or any other leftism, he is actively opposing those who support such philosophies. But Madsen only makes his case by insinuation and association, such as his mother's anthropological activities funded by known CIA fronts such as USAID. Don't get me wrong, though; I believe that Obama IS CIA through and through. It's just that Madsen has no "smoking gun" document to make that case. However, when dealing with the CIA, masters of deceit, disinformation, double crossing and false flagging, it may well be that efforts such as this book are as close to the truth as we'll ever get. For any liberal like me looking for an explanation as to why Obama does what he does, Madsen's connect-the-dots tome will lead you to similar conclusions. But he desperately needed a better editor and proof reader.

30 of 34 people found the following review helpful.
Must Have in Your Library
By Jahana
Madsen is one of the better independent journalists in the US. He doesn't write a lot of books, mostly short articles that are posted on his for-pay site, but this volume is the best of the lot so far. Get this book before it goes out of print and starts selling for top-dollar. Subscribe to his newsite, too. It's relatively cheap and gives you the real news before the corporate media gets hold of it if they even over the type of coverage that Madsen provides. I'm sure that the NYT all the way down the corpo-news food chain read him daily.

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[P384.Ebook] Get Free Ebook The Leaning Tower and Other Stories: The Source, The Witness, The Circus, The Old Order, The Last Leaf, The Grave, The Downward Path to Wis

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Signet MM paperback, 1970

• Sales Rank: #11732279 in Books
• Published on: 1963-09
• Binding: Mass Market Paperback
• 191 pages

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3 of 3 people found the following review helpful.
Not her best work
By Karl Janssen
The Leaning Tower is a collection of short stories and novellas by Katherine Anne Porter. It was originally published in 1934, sandwiched chronologically between her two other collections of short fiction, Flowering Judas and Pale Horse, Pale Rider. Compared to those excellent books, The Leaning Tower is a bit of a disappointment. While Porter's prodigious ability to craft realistic settings and render psychologically authentic characters is evidently on display here, the selections tend to be too heavy on description and too light on plot.

The opening novella, "The Old Order," is composed of a series of chronologically jumbled vignettes in the life of a family in rural Texas, told from the third person perspective of Miranda, presumably the same Miranda featured in Porter's stories "Old Mortality" and "Pale Horse, Pale Rider". Miranda recounts memories from her childhood, concerning in particular her grandmother and the family's black servants. The insights into black/white relations in the changing American South are fascinating, but too much attention is devoted to the imperious grandmother, who treats everyone as a servant, whether black or white, old or young.

This is followed by the short story "The Downward Path to Wisdom," told from the point of view of a young boy about five years old. It feels a bit pointless, as if the story's sole purpose is for Porter to prove she can write from this unusual perspective. In "Holiday," a young city woman decides to spend her spring vacation living with a large farming family in East Texas. There she develops a friendship of sorts with the family's crippled servant, who carries a dark secret. The story finishes well, but the first two-thirds is spent merely describing in detail the daily life of the family, at times from an overly critical, condescending perspective. The best selection in the book by far is "A Day's Work." The Hallorans are an Irish couple in New York whose marriage has devolved into hatred. The husband, unemployed, blames his wife for missed opportunities, while she views herself as a martyr to his sins. It is an excellent story until the final paragraph, in which one character behaves in a manner which seems to be a complete reversal of everything that came before.

The collection ends with its longest piece, the title novella "The Leaning Tower." Charles Upton, an aspiring painter, lives out a childhood dream by traveling to Berlin, but ultimately finds Germany a disappointing destination. Porter's depiction of Berlin is about as flattering as a George Grosz cartoon. There is much dwelling upon the myriad ways in which Germany sucks, its people are ugly and rude, etc. The story provides a vivid glimpse into the atmosphere and mindset of a nation licking its wounds from one disgraceful World War while lurching towards another. Once again, however, there's just too much description and not enough action. When things finally start happening to Charles, it's too little, too late.

Katherine Anne Porter is one of the best American short story writers of the 20th century, and her brilliant talents do shine forth at moments here and there among these selections, but the entries here never rival masterpieces like "Flowering Judas," "The Cracked Looking-Glass," or "Noon Wine." Flowering Judas and Pale Horse, Pale Rider are much better collections of her work, and should be given higher reading priority over The Leaning Tower.

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Cantabria, finales del siglo XIX. Tras la inesperada muerte del cabeza de familia de los Abascal, su viuda e hijos deberán sacar adelante una pequeña posada de viajeros, en el corazón de la villa marinera de Suances.

La llegada de Declan Mclister, un irlandés errante que ha pasado sus últimos años en Cuba, trastocará la vida de la familia Abascal al completo, sobre todo la de las dos hijas solteras, María y Amaya. Rencillas, celos y malentendidos entre las hermanas se sucederán en el interior de un hogar cuya tranquilidad ha terminado para siempre.

Pero los verdaderos problemas comenzarán cuando, sin querer, los habitantes de Casa Abascal se vean involucrados en una compleja conspiración política.

Romance, aventuras e intrigas son los ingredientes principales de esta deliciosa novela de Armando Rodera.

• Sales Rank: #236649 in eBooks
• Published on: 2015-12-15
• Released on: 2015-12-15
• Format: Kindle eBook

About the Author

Armando Rodera, madrileño y ávido lector desde la infancia, cursó estudios de Telecomunicaciones y trabajó diez años en el sector tecnológico hasta que decidió dedicarse a la literatura.

Pionero de la publicación digital en España, desembarcó en Amazon en 2011 con El color de la maldad, que es bestseller policial desde hace 4 años, y La rebeldía del alma, un thriller intimista que ha sido nº 1 global de Amazon.es. Cuenta con una amplia gama de novelas que van desde el género de acción y aventuras, hasta la distopía policial y la no ficción, como La llave del éxito.

Su obra ha atraído tanto a editoriales españolas como americanas, gracias a lo cual, la versión en inglés de El color de la maldad ha llegado a lectores en EE. UU., Reino Unido y Canadá.

Es además lector editorial, gestor de contenidos y consultor freelance en proyectos de marketing online y nuevas tecnologías aplicadas al sector editorial.

Puedes seguir su obra en www.armandorodera.com y en www.facebook.com/ArmandoRoderaAutor

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3 of 3 people found the following review helpful.
Ficción histórica de la buena
By LAKY
He leído todas las novelas de este autor y con todas he disfrutado muchísimo.
En esta ocasión, Armando Rodera nos ofrece una novela que se aleja bastante de sus anteriores obras. Tras dedicarse sobre todo al thriller, aderezado en muchas ocasiones con pizcas de otros géneros, en esta ocasión Armando nos sorprende con una novela totalmente distinta. Una novela de corte histórico aunque es difícil encasillarla en un solo género pues tiene un poco de todo
Tanto los escenarios (Cantabria y Cuba) como la época histórica (finales del siglo XIX) están muy bien definidos; se nota que detrás de su escritura hay un arduo proceso de documentación que hace que nos traslademos a la época y lugares y "veamos" con nuestros propios ojos lo que Armando nos quiere contar
Los personajes están también muy definidos y, en general, ésta es la novela más trabajada de las que este autor ha escrito.
Una novela que mezcla varios géneros (historia, intriga, amor...) por lo que considero que es apta para cualquier lector

4 of 4 people found the following review helpful.
La posada del viajero
By Ame
Otra increible novela del escritor español Armando Rodera Blasco.,entre el amor el poder y la geografía. .se desprende una historia ficticia maravilosa.

3 of 3 people found the following review helpful.
Armando Rodera es uno de los escritores cuya obra sigo ...
By Svetlana
La posada del viajero (Spanish Edition)

Armando Rodera es uno de los escritores cuya obra sigo con gran interés y está vez tampoco me ha decepcionado. La novela tiene todos los ingredientes necesarios para ser una gran experiencia para un lector exigente, perfectamente ambientada en Cantabria y Cuba del siglo XIX, tiene aventura, suspense, romance, una vez empiezas a leerla no la dejarás. ¡Buena lectura!

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